At Carnegie Hall Thelonious Monk And John Coltrane Zippy The Monkey

The film score was mostly composed by Thelonious Monk with additional music provided by Art Blakey and the Jazz Messengers which is the only piece of music from the film published, The music that Thelonious Monk was in the vaults and was discovered several years ago in a collection of studio sessions that were part of the archives of Marcel Romano, a jazz aficionado and a manager of saxophonist Barney Wilen who actually instigated the Monk's employment to score the film.

Thelonious Monk Quartet with John Coltrane - At Carnegie Hall (2005) (Blue Note) EAC Rip FLAC with CUE and log @ 327mb scans MP3 @ 153mb CBR 320kbps RAR Genre: jazz At Carnegie Hall is a 2005 CD from Blue Note of a 29 November, 1957 performance by Thelonious Monk Quartet with guest John Coltrane at Carnegie Hall in New York City. This was recorded by the Voice Of America. At Carnegie Hall is a 2005 CD from Blue Note of a 29 November, 1957 performance by Thelonious Monk Quartet with guest John Coltrane at Carnegie Hall in New York City. This was recorded by the Voice Of America. Monks Mood 2. Crepuscule With Nellie 4. Epistrophy 6.

Sweet and Lovely 8. Epistrophy (incomplete).

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NOTE: Your browser is not recognized and the Dusty Groove website may not function properly. The following might help you find what you're looking for: • Enable cookies and Javascript on your device. • If you are using a mobile device, visit the site from a desktop machine.

• If you are using an old version of your operating system or browser, upgrade to the current supported version. • You can try using the. You may try to continue using the Dusty Groove website, and if you have any trouble placing your order online we suggest you make a list of the items you wish to buy order by phone at Monday through Friday, 10am–4pm, Central Time. (, ) A full document of the genius of Thelonious Monk on Riverside Records – a late 50s stretch when the composer really came into his own – and delivered even more on the promise of his music than anyone would have expected just a few short years before! By the time of these albums, Monk was already a composer and pianist of some note – with some crucial recordings for Blue Note and Prestige under his belt. Yet at Riverside, he really got the chance to open up in so many different ways – move past the trio material that dominated his earlier years, and try out new modes that really exploded the sound of jazz for the modern generation – helping to bridge paths forward and back, introduce new voices to Monk's sonic spectrum, and lay the groundwork for creativity in the final years of his life.

Some tracks are trio, a few are solo, but there's also really important work with horns – including tenor material by John Coltrane, Coleman Hawkins, Johnny Griffin, and Sonny Rollins – as well as the formation of Monk's quartet with Charlie Rouse, which would dominate his Columbia Records material of the 60s. Even the drummers alone are great – a list that includes Art Taylor, Roy Haynes, Max Roach, Kenny Clarke, and Art Blakey – and the set also features some trumpet work by Clark Terry at his hippest, plus Joe Gordon and Thad Jones. All albums come with original artwork, in small little LP-styled covers – and many feature bonus tracks too. Albums include Thelonious Monk Plays Duke Ellington, Unique Thelonious Monk, Brilliant Corners, Thelonious Himself, Monk's Music, Thelonious Monk With John Coltrane, Mulligan Meets Monk, Thelonious In Action, Misterioso, At Town Hall, 5 By Monk By 5, Alone In San Francisco, At The Blackhawk, Monk In France, Thelonious Monk In Italy, and San Francisco Holiday.

© 1996-2018, Dusty Groove, Inc. We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages. Used Vinyl Grades Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a '+' or '-') the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell.

Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play. The following grading conditions apply to the vinyl component of an album or single. Sealed This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as 'Sealed'.